In recent years, with the gradual penetration of Japanese incense in China, Xiang Dao Wen play has gradually become a niche cultural trend in China, and is popular among some high-income people. Some imported spices and incense burners seem to be inconspicuous, but the price is tens of thousands or even hundreds of thousands of yuan, but there are still some self-proclaimed and elegant people who are eager for it.

  What is the fragrant road, in fact, talk about Xiangdao, you should first talk about incense culture or incense. The incense culture began in China. According to some materials, the incense culture should start in the week and flourish in the Tang Dynasty. Of course, the excavated cultural relics are said to have incense tools from the ancient times, but the text is undocumented.

  In our country, our own tea, smelling, hanging pictures, and flower arrangement are all fun, and it is a kind of literati, but in China, smelling and tea is a skill, not a Tao, in the hearts of Chinese people, The esoteric meaning of "Tao" is not what can be called. The Tang Dynasty Jianzhen Dongdu, tea art and fragrance art were brought into Dongpu, which is Japan. It is a sigh that we have not been able to carry forward these skills of our ancestors very well. However, it is the Japanese who passed down on these techniques and derived new connotations and gave them the meaning of "Tao". However, it is not clear what this word is. It is not difficult to see that our tea is smelling. After the development of the Japanese, it became a tea ceremony and a fragrant road, and then reversed back to the country and became a new trend.

  The Japanese fragrant road is metaphysical, drawing on the ways and means of separating fire and incense in the Tang and Song Dynasties, but the inner pursuit and the process of incense and the connotation of the fragrance are different. Modern Japanese incense is dominated by the original incense of "scented wood", and the emphasis is on "fragrance". Through the means of clothing, handicrafts, etc., the "fragrance" is very gorgeous, with more entertainment and performance.

  The traditional Chinese incense and Japanese incense are essentially different. China's Tao is metaphysical. China's fragrant culture pays more attention to internal cultivation. It is a rich spiritual culture. It emphasizes the cultivation and conservation of body and mind. It can be said to be a good health and a god. The whole fragrant process reflects Chinese culture. Deep, euphemistic, and implicit, is a process of oneness and oneness. The traditional Chinese aroma science is centered on “harmony” and pursues the comprehensive effect of “fragrance” on people.

  With the "innate qi" to raise the nature, "the taste of the day after tomorrow" to support life, this and Hua Tingda advocate the concept of "cultivating the body and mind, sputum treatment, health and health" coincide. "Huahuada" was originally called "Hua Shi Xiang Tang", one of the most prestigious Xiangtang in the Qing Dynasty. It was founded in 1851 in the first year of Xianfeng by Nanxiang (now in Guangdong). It has more than 100 years of Chinese style incense. Cultural heritage, which combines the aromatherapy of Chinese medicine with Chinese Zen, spreads Chinese traditional culture, promotes the essence of Xiangdao culture, and contributes to the revival of the fragrant culture that has been passed down for thousands of years.

  The fragrant school of our country and the so-called Japanese fragrant road that is circulating in China today can only be the relationship between "source and flow". Their subsequent development does not depend on the development of Chinese fragrant roads. Each has its own characteristics. In line with the internal factors of their own people.